Let Her Entertain Unfettered
The general statement of a
sentence usually means
a reader should know what she's talking about.
Same holds true for every good movie: watch it
through and after the credits. After this bar fills ever more
quickly than yesterday, beer makes allergy headaches go away,
or I forget they're there, one method serving another.
Curl up on the comforter later, feel its design against the grain
of your status. Thread counts massage your thighs as you kneel
on your rug-burned forearms. We each reach a state
of releasing the hold on people around us. Otherwise,
an insomnia diagnosis sinks in and stitches dormant killing designs
upon us. Just so a little drink can soothe the stomach,
I have grown into the elite who earns manufactured money.
Even so, still vision refuses to omit the brightest cardinal in the yard
this morning. I've never been a fan of favoritism, but departure
is no way around it. Treat your stay like a meal when you tip.
One rumor holds Al Pacino puts out fifty percent. The record
on repeat confirms certain half facts, and yet, I'm still afraid
of entering the kitchen on my day off. I read between the details
on one hand and speak abstractions like a president. A responsibility
of the critical mind means choosing your put-downs sparingly.
A sea of husbands descends upon the bar, a local baby shower shedding.
Pumped full of each other, of maleness, of non-breast feeders fades into
car repairs and ballgames. It's time something bad happened.
Remove money from a machine. Pluck beetles off a tree. In America,
I never said all people look the same. Actually, that's a stigmatism
called "not wanting to be near others." Deliver me guiltless
and without a need to park by the trash. Cover your chest, but speak
your entire mouth—breathe the format of an ugly but beautiful ride.
Likewise, I meant to give you your favorite bar of oatmeal soap,
though an education took the best part of me. Externally, I've never
seen steering at quite this angle: deliverance between bodies
allows new things like "god is all of us in color." So where
has all the lust gone unannounced? Why no poppies to speak of?
Your creamless clasping toes reach over & begin the undoing of me.
Doppelganger
I know there is a town in another country
where a woman who is exactly like me
answers her phone with the same hope,
hangs up on her mother and lover guiltless
one after another, a tiny harem in charge of her life.
Over there, she dreams identical bad jokes
that end with the punch line, "Hammerhead."
She has powdered the precise number of bottoms I have.
I am not the most willing aunt. Neither is my synonym.
In fact, even her dog barks with a familiar hoarse
hiccup. We must be aligned through the stars.
Like tonight. She is looking out at a similar audience,
reading a like-minded poetry to people who look like
you, with quotation marks around her words,
words that reflect my existence too.
You know her well in her other land because
you shift your gaze from her back to me,
like a tennis match, in the distance between us.
Poetry Appliqué
--for Ann Jordan
I don't want her
to think I've circumnavigated
the events in this apartment,
the events of life's appointment,
or left her
In a frame to disintegrate,
an image of light-brown flesh-to-fade.
Nearby, swans of the center park
fly new meaning into the sky
is the limit.
I'm sorry you misheard
my peacock feather,
my grand piano tickling like
I'm sorry for many
more than less than
This apology should serve
as shorthand for
the shorter lifespan that
dwells in the brain's
hard to reach blindspots
Not unlike a building's marrow
that runs up stone
foundations, a central nervous
system struck by two aching planes,
Not a remembrance but more
like a prophecy, an indecision
of things to come, a telegram
sent from a world in vitro
The Cut Did Come Within
A healing dog's skin
frying egg too fast
can freeze the page
up &
the elements are yours
for our carnal taking-
I did not steal temptation,
I did not put her in
someone else's box,
I did not become
New York City,
this latent family
through which I am your sister.
So it will take more than
your beaten body
out in the open boat
to know more than
which ventricle galvanized
such passages to come
for this memory becoming,
for my one to go
from your skull,
from this bone black blood
to mark alone
upon my forehead,
against my page,
into my still
sound wet with
morning ringing tonight
A Ghost is Born
Hissing news and opens for
ensuing cow spotted, I get it
from the colder coffee leaves
browns and blacks, I get it
from my sins just to get what I like
the looks of as in a dedication
of hatchets to all things wooden.
One feature of the door was
a well-oiled hinge beaten to a creak
by husbandry's action that carries
us across a leaf locked, elapsing
me into me into I unto thee,
thyself or not. Trust us not
to torture our prisoners
and other non-methods
of the train that relocates
flesh pounds on steam
where another soldier stayed
beneath his ruby-red grief.
Peasant toads alert roadside
reeds, then underside words wind-
whistle leap frog games, selfsame
to surely topple. Parked hybrids
of the world unite
the value of a heart upon
a flapping flea's breath
guaranteed pre-death,
the most real and alive
perfect engine in brief.
In the tulip of sleep, tulip or street,
she worried without far to part.
Amy King is the author of the poetry collection, Antidotes for an Alibi (Blazvox Books 2005), and the chapbook, The People Instruments (Pavement Saw Press Chapbook Award 2002). She currently teaches Creative Writing and English at Nassau Community College and is the managing editor for MiPOesias. Please visit www.amyking.org for more.